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The selection of a dangdut track as an opening tune was considered to be the forerunner in familiarizing dangdut to young people, especially students, considering that Prambors as a radio station in s never played dangdut tracks, safe for that opening tune of the Warkop broadcast. Yet, to this day humorous dangdut, with its various articulations and strategies, is able to work as a diffuser, mediating any social issues that surround dangdut, making it more acceptable by a wider community. Even so, social problems associated with dangdut lingered to this day. This matter can be examined through the present-time successors of OM PSP, who, more or less, came out of a similar background as their predecessor. Hamba Allah once experienced a similar thing. According to records, musical parodies in Indonesia were starting to appear in the s, during which Bing Slamet formed a group called Los Gilos, which essentially was a comedy group with a musical essence. Humorous dangdut created a shift of value in the credo of dangdut at that time.

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Hamba Allah once experienced a similar thing. Melahu, to this day humorous dangdut, with its various articulations and strategies, is able to work as a diffuser, mediating any social issues that surround dangdut, making it more acceptable by a wider community.

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Humorous dangdut created a shift of value in the credo of dangdut at that time. Parody is an act of duplicating or imitating something ,elayu order to create a joke.

Warkop Prambors was also one of the initiators that birthed the parody group Orkes Moral Pancaran Sinar Petromak, which eventually became a mainstay music group that accompanied Warkop Prambors during their off-air performances. It is believed that humorous dangdut was presented as a mediator to diffused the clash of class between Indonesian popular music — because humor can dissolved a conflict in human communication.

Issues on morals, class, stereotypes and ideology were still attached to dangdut.

Humorous dangdut held a role in making dangdut relatively more acceptable in all social classes up to this day. Humorous dangdut that sprouted among students, and was broadcasted on television, was considered to have the ability to bridge the gap between socioeconomic pacaran.

Even melayy, social problems associated with dangdut lingered to this day. Hence why many of the social issues associated with dangdut became more malleable, because it was fused with humor as was done by OM PSP.

The selection of a dangdut melwyu as an opening tune was considered to be the forerunner in familiarizing dangdut to young people, especially students, considering that Prambors as a radio station in s never played dangdut tracks, safe for that opening tune of the Warkop broadcast.

According to records, musical parodies in Indonesia were starting to appear in the s, during which Bing Slamet formed a group called Los Gilos, which essentially was a comedy group with a musical essence.

In conclusion, based on the circumstances that were previously explained, dangdut, with all its associated social issues, still exist in the community. And as a result of that, people from the upper classes were starting to glance at dangdut, a music that was once synonymous with the preference of middle to lower class.

The group used a song composed by Orkes Melayu Bangladesh as an opening tune for their Warkop radio broadcast.

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At that time, instead of featuring well-known dangdut artists, television programs devoted to dangdut opted to headlined dangdut groups from prestigious universities such as University of Indonesia, alma mater of members from Orkes Moral Pancaran Sinar Petromak, and Gadjah Mada University, alma mater of members from Jaran Goyang and Orkes Mahasiswa Jet Set.

The voice of dangdut musicians and audiences was replaced by students, who performed parodied orkse of dangdut lyrics. Meanwhile, the parody of dangdut music started when the comedy group Warkop Prambors oorkes later changed their name to Warkop DKI orkws conceived. The variety of comedic elements brought forth by OM PSP made humorous dangdut more acceptable by the wider community. This matter can be examined through the present-time successors of OM PSP, who, more or less, came out of a similar background as their predecessor.